ELIZABETH MORAN
elizabethmoran.studio@gmail.com | elizabethmoran.com
b. 1984 Houston, lives and works in Brooklyn
SOLO / TWO-PERSON EXHIBITIONS
2018
Backward ran sentences until reeled the mind, Cuchifritos Gallery, New York, NY
2016
Measuring Visual Disturbances, Black Crown Gallery, Oakland, CA
2015
Elizabeth Moran & Paccarik Orue, Rayko Photo Center, San Francisco, CA
2014
Record of Cherry Road, Gulf & Western Gallery at New York University, New York, NY
SELECTED GROUP EXHIBITIONS
2019
The Artifact Labyrinth, Studio la Città, Verona, Italy
2018
Record Keepers, Duke Hall Gallery of Fine Art at James Madison University, Harrisonburg, VA
Somewhere down the line, there’s a fine line between a deadline and the bottom line., NARS Foundation, New York, NY
2016
From Generation to Generation: Inherited Memory and Contemporary Art, Contemporary Jewish Museum, San Francisco, CA
2015
Too Close to Home, Wattis Institute for Contemporary Arts, San Francisco, CA
(Im)materiel, Headlands Center for the Arts, Sausalito, CA
Embodied Place: Observations & Notations, Holman Arts & Media Center at Sierra Nevada College, Incline Village, NV
2014
Visions at Twilight: Día de los Muertos, SOMArts, San Francisco, CA
Night Contact, Brighton Photo Biennial 2014, Brighton, UK
9/50 Southeast Arts Presenters Summit, Atlanta Contemporary Arts Center, Atlanta, GA
2013
Petty Thieves, Furthermore, Washington, D.C.
Boundaries: The Permeability of Social Constructs, University of Nebraska’s Eisentrager-Howard Gallery, Lincoln, NE
Cover to Cover, SF Camerawork, San Francisco, CA
2012
The Collector’s Eye, The Collection of Frazier King, FotoFest, Houston, TX
Corner of the World, MacArthur B Arthur, Oakland, CA
John Baldessari: Class Assignments, (optional), Wattis Institute for Contemporary Arts, San Francisco, CA
COMMISSIONS
2014 – 2015 Magnum Foundation
AWARDS / FELLOWSHIPS / RESIDENCIES
2019
Vermont Studio Center Fellowship, Johnson, VT
Project Space Residency, Visual Studies Workshop, Rochester, NY
2018
NARS Foundation Artist in Residency Program and Fellowship recipient, Brooklyn, NY
The Wassaic Residency Program, Wassaic, NY
2017
LES Studio Program, a program of Artists Alliance Inc., New York, NY
2015
Rayko Photo Center Artist in Residence Program, San Francisco, CA
2014
30 Under 30 Women Photographers, Photoboite
2013
Tierney Fellowship, The Tierney Family Foundation
2012
Murphy and Cadogan Fellowship, The San Francisco Foundation
PROFESSIONAL EXPERIENCE
2017 –
Part-Time Lecturer, School of Art, Media, and Technology, Parsons School of Design, The New School, New York, NY
2015 – 2016 Visiting Faculty, Undergraduate Photography, San Francisco Art Institute, San Francisco, CA
2014 – 2016 Lecturer, Undergraduate Photography Program, California College of the Arts, Oakland, CA
EDUCATION
2014
MA (Visual and Critical Studies), California College of Arts, San Francisco, CA
2013
MFA, California College of Arts, San Francisco, CA
2007
BFA, New York University, Tisch School of the Arts, Department of Photography and Imaging, New York, NYSELECTED LECTURES / VISITING ARTIST PRESENTATIONS
2019
Visiting Artist Presentation, Visual Studies Workshop, Rochester, NY, April 4.
2018
“Insider Focus,” The Whitney Museum of American Art, New York, NY, April 16.
Visiting Artist Presentation, Northern Kentucky University, Highland Heights, KY, January 29.
2016
Visiting Artist Presentation, San Francisco Art Institute, San Francisco, CA, November 17.
2015
Visiting Artist Presentation, Mills College, Oakland, CA, September 23.
2014
Visiting Artist Presentation, New York University, Tisch School of the Arts, New York, NY, December 2.
“The Photograph as Evidence: Contingencies of Meaning and Mattering,” Providing Visibility,
Melanie Corn, Visual and Critical Studies Spring Symposium, San Francisco, CA, April 26.
2013
“Correspondence 1,” Cover to Cover, Chuck Mobley, SF Camerawork, San Francisco, CA, August 16.
2012
“For Christopher Fife,” Open Show SF Bay Area #38, Tim Wagner, SF Camerawork, San Francisco, CA, June 21.
2011
“For Christopher Fife,” Survival, Julia Bradshaw, Society for Photographic Education West Regional Conference,
Santa Cruz, CA, November 19.
SELECTED PUBLICATIONS
2019
Ellis Jones, et al, eds., “Record of Cherry Road,” The Truth and Lies Issue, VICE 26, no. 1 (February/March 2019): 46–59.
2017
YIELD no. 5, (Notre Dame: University of Notre Dame, 2017): 30–39.
2016
Pierre-François Galpin and Lily Siegel, eds., From Generation to Generation: Inherited Memory and Contemporary Art,
(San Francisco: Contemporary Jewish Museum, 2016): 108–113. (catalog)
2014
Tate Shaw, ed., The Ephemeral, (Detroit: Detroit Center for Contemporary Photography, 2014): n.p.
2013
MaryAnn Camilleri, ed. Flash Forward 2013, (Toronto: The Magenta Foundation, 2013), 220.
Sade Ayorind and Chadric Devin, eds., Boundaries: The Permeability of Social Constructs, (Lincoln: University of Nebraska, 2013):
n.p. (catalog)
SELECTED SELECTED PRESS / REVIEWS
2018
“La Pornografia fa Scuola,” Internationale, no. 1244 (February 23, 2018): 38–46.
2016
Ricardo Nagaoka, “Elizabeth Moran,” Aint-Bad (blog), April 18, 2016.
https://www.aint-bad.com/article/2016/04/18/elizabeth-moran-record-of-cherry-road/embed/#?secret=33sdELriHu
2015
“Readings,” Harper’s Magazine, (July 2015): 13.
Der Greif, no. 8 (April 2015): 23.
Alan Rapp, “Ten Most Exciting Photographers from the Past Year.” Presentation at Phoenix Art Museum, February 11, 2015.
2014
Jackson Krule, “Photographing the Invisible,” The New Yorker Photo Booth (blog), December 3, 2014.
http://www.newyorker.com/culture/photo-booth/photographing-invisible
Dan Damon, “Record of Cherry Road.” Interview with Elizabeth Moran. BBC World Update. November 25, 2014.
David Gonzalez, “Exploring the Photographic Spirit,” The New York Times Lens Blog, June 3, 2014.
“Elizabeth Moran,” British Journal of Photography 161, no. 7822 (March 2014): 20–21.
2013
“Sets and the City,” Marie Claire South Africa, (October 2013): 60–61.
Sophia Wise, “Work Space 2 (The Armory): Elizabeth Moran,” Hotshoe, May 9, 2013.
“Kink,” Esquire Russia, (March, 2013): 146–159.
Matteo Bittanti, “Elizabeth Moran’s The Armory,” WIRED Italia (blog), February 22, 2013.
http://blog.wired.it/misterbit/2013/02/22/art-elizabeth-morans-the-armory.html
2012
Judy Walgren, “Elizabeth Moran on Facade as Reality,” San Francisco Chronicle, October 27, 2012.
Dominica Paige, “Trading Reason for Wonder,” Conveyor Magazine, no. 3 (June 2012): 32–33.
ELIZABETH MORAN
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